![]() Features all the settings that you might need when working with text. Appears in the Inspector when a text layer is selected. The figure below shows the location of text-related controls in the Lunacy interface. This section describes how to work with text layers in Lunacy. All that remains of it today is a domed octagonal structure that once stood as the centerpiece of the institution.Text is one of the key aspects of almost every design project. The New York City Lunatic Asylum on Blackwell’s Island closed in 1894. The half-built, overcrowded, convict-supervised asylum was a symbol for the unrealized goals and the blatant failures so extensively covered in the press. In the wake of the scathing report, administrative changes followed, but the image of the asylum as a human rat trap lingered. She described it as a “human rat-trap” that could drive the sanest people crazy (5). She wrote a series of shocking articles for the newspaper and a book. In 1887, Elizabeth Cochrane Seamen, aka Nellie Bly (1866–1922), a journalist for the New York World, feigned insanity to gain admission to the asylum on Blackwell’s Island. In 1879, an article titled “Tormenting the Insane” appeared in the New York Times describing appalling cases of neglect. Newspapers were filled with grim tales of madness, mistreated patients, wretched conditions, and wrongful confinement. I had the honor of stroking the back of President Buchanan’s eldest son who purred as though his sire had no political difficulties to disturb his repose. Strange to say, the offspring of her lofty amours are invariably cats. ![]() She believes she is the wife of the President and discharges her conjugal duties with such success that she bears a large family to the President. Her delusion has been described in the papers. ![]() She is one of the incurables-a poor old lady-Scotch I imagine-who has been an inmate of the lunatic asylum for years. Some achieved celebrity-like status, such as the elderly woman known as “Mrs. Local newspapers, including the New York Times and Harpers Weekly, provided weekly running accounts of the asylum’s most intriguing characters. Thousands of the city’s poor mentally ill were admitted to the asylum between 18, and the press’s fascination with the institution and its inhabitants grew intense during those years. Thomas Kirkbride, the patients were “abandoned to the tender mercies of thieves and prostitutes” (3). Even more disturbing, convicts from the nearby penitentiary were used as guards and attendants, so that in the words of Dr. Because of financial constraints, only two wings were completed and almost immediately proved inadequate. The design for the new asylum was free of barricades and iron bars and allowed for easy access to the outdoors.īut this model asylum was never built. In addition to classification, moral treatment emphasized the human rather than beast-like nature of the insane. He suggested that patients be divided into four specific classes: the “noisy, destructive, and violent,” “the idiots,” “the convalescents,” and an intermediate class for “those in the first stages of convalescence and such incurables (who) are harmless and not possessed of bad habits” (2). John McDonald, a physician involved with the design of the new asylum, wrote, “The indiscriminate mingling of the mild and furious, clean and filthy, convalescent and idiotic, need only be witnessed to be deprecated.” He continued: “Classification is now justly considered by almost all persons of experience of the first importance in the treatment of insanity” (1). Although in the past, little effort was made to differentiate between types of mental illness, according to the tenets of moral treatment, such distinctions were imperative. Fundamental to its success was an organized and orderly environment. It was designed to be a state-of-the-art institution based on the theories of moral treatment. ![]()
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