![]() ![]() Many musicians start out in ear training because it is an essential part of instrument exams, for example the ABRSM exam aural skills tests. That’s why we call the best of them “Golden Ears!” Why Musicians Are Training Their Ear Troubleshooting audio – with live sound at concerts or in the studio, audio pros need to fix sound problems quicklyīy equipping them with the enhanced ears they need to hear the detail, identify problems and areas of improvement, and apply their tools directly to get results, ear training lets audio pros stay at the top of their game.Using audio effects – creating the perfect sound by employing state-of-the-art audio effects.Focused on frequencies – tweaking EQ at the mixing desk or using band filters to improve recordings.That’s exactly why all serious music institutions like Berklee College of Music make ear training a core part of the curriculum.Īudio professionals find that ear training helps whether they are: What their musical goals are – whether playing by ear, improvising, or simply playing more expressively and accuratelyīy doing focused exercises for listening skills, a musician can enhance their inner musicality and so improve their craft.What style of music they like – jazz musicians, rock musicians, classical musicians, folk musicians and church musicians. ![]() What instrument they play – guitar, piano, classical violin, and even singing.Musicians find that ear training helps no matter: Audio professionals: In all areas of audio, from live concert sound engineers to DJs, recording engineers and studio producers… audio professionals use ear training to hone their sensitivity to the details in sound.Musicians: From every walk of life all over the world, people who play music, learn instruments, write songs and compose symphonies… all use ear training to improve their ear for music.There are two main groups of people who do ear training: You can use singing to help with ear training, and you can use ear training to help with singing-by improving your tuning and intonation, and helping you with sight-singing. Because the human voice is an instrument that everybody has, it is the most natural and direct way to experiment with the musical listening skills that you practice with ear training. The main benefits of ear training for audio professionals are that it gives you a sharper ear to hear the differences that can improve a mix, add excitement to a song, or let you fix problems directly rather than wasting time guessing at what you’re meant to be hearing.Įar training is also intimately related to singing. The main benefits of ear training for musicians are that it can give you that “ear for music” that lets you play more freely and expressively, play by ear, write songs, and enjoy music much more. Now, in the 21st century, training can be easy, fun and effective by using modern technology to make ear training perfectly suit you and your love of music. In the past, ear training was a slow process involving tedious repetitive work. Musicality is learnable, and even the most impressive and natural-seeming can be learned through dedicated ear training exercises. People often assume that to have a good ear for music-meaning to play by ear, to write songs, to have perfect pitch, and so on-you need to be born with the “gift” of music. have more creative freedom and control to express yourself through music.If you love music, and especially if you play a musical instrument or produce music, ear training can help you to develop a musical ear so that you: ![]() This approach has opened doors for me.Ear Training is the process of developing your ear for music. So no, I listened to the music for thirty years and got nowhere. And while I still wouldn’t inflict my singing on others - I am hitting notes and recognising when I’m not hitting notes. And now when I hear tunes I hear the same piece of music I always did but I hear extra information: here is an arpeggio, here the phrase is twiddling around the high G, and so on. I could never sing, and even some very patient singing teachers couldn’t break through that “missing link”. And by then, no-one knew how to “fix” my inability to relate what I could hear to my instrument or voice. But it was all on record, and I didn’t really get access to decent musical training until I was a young adult. I have been listening to traditional Scottish music, in one form or another, all my life. Ear learning for me was always as incomprehensible as reading Chinese. My mother is completely amusical - her parents were somewhat Calvinist about music - and my father, well, I never saw enough of him to hear him sing. Here’s the thing: most people learn this kind of fundamental stuff in childhood. ![]()
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